A Song Below Water is Bethany C. Morrow's second novel. Her first published work MEM, another work of speculative fiction, addressed the ideas of cloning, memory, and trauma. Morrow is the editor of the anthology Take the Mic: Fictional Stories of Everyday Resistance, which was released in 2019. It "aims to provide marginalized teens visibility and validation in stories of everyday resistance."
Here's the summary for A Song Below Water: In a society determined to keep her under lock and key, Tavia must hide her siren powers.
Meanwhile, Effie is fighting her own family struggles, pitted against literal demons from her past. Together, these best friends must navigate through the perils of high school’s junior year.
But everything changes in the aftermath of a siren murder trial that rocks the nation, and Tavia accidentally lets out her magical voice at the worst possible moment.
Soon, nothing in Portland, Oregon, seems safe. To save themselves from drowning, it’s only Tavia and Effie’s unbreakable sisterhood that proves to be the strongest magic of all.
If this sounds like something you'd like to read, you can get your copy of the book from the store or online with a 15% discount through the end of August. You can have it shipped directly to you or come pick it up curbside! This title is also available as an audiobook through our partner, Libro.fm.
Reviews & Interviews
"Q&A: Bethany C. Morrow" -- The Nerd Daily
"Black Voices, Power, and Activism" -- The Young Folks
"Interview with Bethany C. Morrow" -- Pine Reads Review
"Raise Your Voice: A Song Below Water" -- TOR.com
"A Song Below Water" -- Kirkus
"Voice As Resistance" -- Chicago Review of Books
Last night's book club meeting went well. We spent a good deal of time discussing the titles that we'd like to read together this year. We tried to step outside our comfort zone and we chose both new and old titles in fiction and nonfiction. So, I'm really excited to share our list with you! We all hope that you'll join us in reading these titles together, even if you can't make it every month or you've already read the book, or even if you haven't read the book at all and wonder if you should! Come hang out with us and give it a try.
Without further ado, we present to you--our reading list for 2017:
March: Mr. Penumbra's 24-Hour Bookstore by Robin Sloan
April: Over the Plain Houses by Julia Franks
May: Bossypants by Tina Fey
June: The Immortal Life of Henrietta Lacks by Rebecca Skloot
July: Radium Girls: The Dark Story of America's Shining Women by Kate Moore
August: Bel Canto by Ann Patchett
September: The Keeper of Lost Things by Ruth Hogan
October: Descent by Tim Johnston
November: The Firebrand and The First Lady: Portrait of a Friendship--Pauli Murray, Eleanor Roosevelt, and the Struggle for Social Justice by Patricia Bell Scott
December: Gulp: Adventures on the Alimentary Canal by Mary Roach
**See below for book summaries**
March--Mr.Penumbra's 24-Hour Bookstore
The Great Recession has shuffled Clay Jannon away from life as a San Francisco web-design drone and into the aisles of Mr. Penumbra's 24-Hour Bookstore. But after a few days on the job, Clay discovers that the store is more curious than either its name or its gnomic owner might suggest. The customers are few, and they never seem to buy anything--instead, they "check out" large, obscure volumes from strange corners of the store. Suspicious, Clay engineers an analysis of the clientele's behavior, seeking help from his variously talented friends. But when they bring their findings to Mr. Penumbra, they discover the bookstore's secrets extend far beyond its walls. Rendered with irresistible brio and dazzling intelligence, Robin Sloan's Mr. Penumbra's 24-Hour Bookstore is exactly what it sounds like: an establishment you have to enter and will never want to leave.
April--Over the Plain Houses
This riveting debut novel is both a portrait of a dysfunctional marriage and the tale of one woman's journey to freedom and redemption. Set in the mountains of North Carolina in 1939, it introduces Irenie Lambey, who is trapped in a destructive relationship with husband Brodis. While a well-respected preacher in his community, Brodis is quickly revealed to be a controlling, violently abusive tyrant in private. Irenie's misery is abated somewhat by the arrival of independent-minded Virginia Furman, an agent for the Department of Agriculture who is sent into the mountains to help families modernize their homes and farms. Through nightly wanderings in the woods and in her friendship with Virginia, Irenie finds happiness and for the first time envisions what her life would be like free of her husband. Eventually, Brodis discovers her trips and convinces himself that she is a witch. Afraid for himself and believing that he is ultimately saving his marriage, Brodis commits an unimaginable act that leaves the entire community reeling.
Before Liz Lemon, before "Weekend Update," before "Sarah Palin," Tina Fey was just a young girl with a dream: a recurring stress dream that she was being chased through a local airport by her middle-school gym teacher. She also had a dream that one day she would be a comedian on TV.
She has seen both these dreams come true.
At last, Tina Fey's story can be told. From her youthful days as a vicious nerd to her tour of duty on Saturday Night Live; from her passionately halfhearted pursuit of physical beauty to her life as a mother eating things off the floor; from her one-sided college romance to her nearly fatal honeymoon—from the beginning of this paragraph to this final sentence.
Tina Fey reveals all, and proves what we've all suspected: you're no one until someone calls you bossy.
June--The Immortal Life of Henrietta Lacks
Her name was Henrietta Lacks, but scientists know her as HeLa. She was a poor black tobacco farmer whose cells—taken without her knowledge in 1951—became one of the most important tools in medicine, vital for developing the polio vaccine, cloning, gene mapping, and more. Henrietta's cells have been bought and sold by the billions, yet she remains virtually unknown, and her family can't afford health insurance. This phenomenal New York Times bestseller tells a riveting story of the collision between ethics, race, and medicine; of scientific discovery and faith healing; and of a daughter consumed with questions about the mother she never knew.
July--The Radium Girls
Kate Moore details the tragic stories of dozens of young women employed as dial painters during World War I. Often the daughters of immigrants, these women were lured to these prestigious and well-paying jobs unaware of the dangers of the radioactive paint present in their workplace—which caused their bodies and clothes to glow, even outside of work. With America's entry into World War I, demand for painted dials and painters skyrocketed. Soon, many employees suffered aching teeth and jaws, sore joints, and sarcomas. As their ailments worsened, many sought answers from their employers. They were met with denials and misinformation even as evidence mounted that radium poisoned these women. After nearly 20 years, several trials, and thousands of dollars in doctor and attorney fees, the women won a small measure of justice, but for some, it was too late. Moore's well-researched narrative is written with clarity and a sympathetic voice that brings these figures and their struggles to life.
Somewhere in South America, at the home of the country's vice president, a lavish birthday party is being held in honor of the powerful businessman Mr. Hosokawa. Roxanne Coss, opera's most revered soprano, has mesmerized the international guests with her singing. It is a perfect evening -- until a band of gun-wielding terrorists takes the entire party hostage. But what begins as a panicked, life-threatening scenario slowly evolves into something quite different, a moment of great beauty, as terrorists and hostages forge unexpected bonds and people from different continents become compatriots, intimate friends, and lovers.
September--The Keeper of Lost Things
Anthony Peardew is the keeper of lost things. Forty years ago, he carelessly lost a keepsake from his beloved fiancée, Therese. That very same day, she died unexpectedly. Brokenhearted, Anthony sought consolation in rescuing lost objects—the things others have dropped, misplaced, or accidently left behind—and writing stories about them. Now, in the twilight of his life, Anthony worries that he has not fully discharged his duty to reconcile all the lost things with their owners. As the end nears, he bequeaths his secret life’s mission to his unsuspecting assistant, Laura, leaving her his house and and all its lost treasures, including an irritable ghost.
Recovering from a bad divorce, Laura, in some ways, is one of Anthony’s lost things. But when the lonely woman moves into his mansion, her life begins to change. She finds a new friend in the neighbor’s quirky daughter, Sunshine, and a welcome distraction in Freddy, the rugged gardener. As the dark cloud engulfing her lifts, Laura, accompanied by her new companions, sets out to realize Anthony’s last wish: reuniting his cherished lost objects with their owners.
Long ago, Eunice found a trinket on the London pavement and kept it through the years. Now, with her own end drawing near, she has lost something precious—a tragic twist of fate that forces her to break a promise she once made.
As the Keeper of Lost Objects, Laura holds the key to Anthony and Eunice’s redemption. But can she unlock the past and make the connections that will lay their spirits to rest?
The Courtland family has come to Colorado to explore the vast beauty of the Rocky Mountains, a vacation just before their daughter Caitlin leaves for college. But when Caitlin and her younger brother Sean go out for an early morning run, and only Sean returns, the mountains become as terrifying as they are majestic.
Caitlin’s disappearance, all the more devastating for its mystery, is the beginning of the family’s harrowing journey down increasingly divergent and solitary paths, until all that continues to bind them together are the questions they can never bring themselves to ask: At what point does a family stop searching? At what point will a girl stop fighting for her life?
November--The Firebrand and the First Lady
A groundbreaking book—two decades in the works—that tells the story of how a brilliant writer-turned-activist, granddaughter of a mulatto slave, and the first lady of the United States, whose ancestry gave her membership in the Daughters of the American Revolution, forged an enduring friendship that changed each of their lives and helped to alter the course of race and racism in America.
Pauli Murray first saw Eleanor Roosevelt in 1933, at the height of the Depression, at a government-sponsored, two-hundred-acre camp for unemployed women where Murray was living, something the first lady had pushed her husband to set up in her effort to do what she could for working women and the poor. The first lady appeared one day unannounced, behind the wheel of her car, her secretary and a Secret Service agent her passengers. To Murray, then aged twenty-three, Roosevelt’s self-assurance was a symbol of women’s independence, a symbol that endured throughout Murray’s life.
Five years later, Pauli Murray, a twenty-eight-year-old aspiring writer, wrote a letter to Franklin and Eleanor Roosevelt protesting racial segregation in the South. The president’s staff forwarded Murray’s letter to the federal Office of Education. The first lady wrote back.
Murray’s letter was prompted by a speech the president had given at the University of North Carolina, Chapel Hill, praising the school for its commitment to social progress. Pauli Murray had been denied admission to the Chapel Hill graduate school because of her race.
She wrote in her letter of 1938:
“Does it mean that Negro students in the South will be allowed to sit down with white students and study a problem which is fundamental and mutual to both groups? Does it mean that the University of North Carolina is ready to open its doors to Negro students . . . ? Or does it mean, that everything you said has no meaning for us as Negroes, that again we are to be set aside and passed over . . . ?”
Eleanor Roosevelt wrote to Murray: “I have read the copy of the letter you sent me and I understand perfectly, but great changes come slowly . . . The South is changing, but don’t push too fast.”
So began a friendship between Pauli Murray (poet, intellectual rebel, principal strategist in the fight to preserve Title VII of the 1964 Civil Rights Act, cofounder of the National Organization for Women, and the first African American female Episcopal priest) and Eleanor Roosevelt (first lady of the United States, later first chair of the United Nations Commission on Human Rights, and chair of the President’s Commission on the Status of Women) that would last for a quarter of a century.
Drawing on letters, journals, diaries, published and unpublished manuscripts, and interviews, Patricia Bell-Scott gives us the first close-up portrait of this evolving friendship and how it was sustained over time, what each gave to the other, and how their friendship changed the cause of American social justice.
“America’s funniest science writer” (Washington Post) takes us down the hatch on an unforgettable tour. The alimentary canal is classic Mary Roach terrain: the questions explored in Gulp are as taboo, in their way, as the cadavers in Stiff and every bit as surreal as the universe of zero gravity explored in Packing for Mars. Why is crunchy food so appealing? Why is it so hard to find words for flavors and smells? Why doesn’t the stomach digest itself? How much can you eat before your stomach bursts? Can constipation kill you? Did it kill Elvis? In Gulp we meet scientists who tackle the questions no one else thinks of—or has the courage to ask. We go on location to a pet-food taste-test lab, a fecal transplant, and into a live stomach to observe the fate of a meal. With Roach at our side, we travel the world, meeting murderers and mad scientists, Eskimos and exorcists (who have occasionally administered holy water rectally), rabbis and terrorists—who, it turns out, for practical reasons do not conceal bombs in their digestive tracts.Like all of Roach’s books, Gulp is as much about human beings as it is about human bodies.
Foggy Pine Books
Literary Gifts & Events for Boone's Bibliophiles