Jarrett Krosoczka is an illustrator and author who is most famous for his Lunch Lady & Jedi Academy series. His most recent book, Hey, Kiddo: How I Lost My Mother, Found My Father, and Dealt with Family Addiction, is a graphic memoir for young adults that comes out on October 9th. It was recently longlisted for the 2018 National Book Award for Young People’s Literature. I was lucky enough to receive a galley copy when I went to the SIBA tradeshow last month. Krosoczka was unable to make it to speak at the event because of Hurricane Florence but he did record a very moving video about the book that we (booksellers) watched together. I left that lunch knowing that I was going to read the book before I even got back home.
Reader, I read it in one, very emotional, sitting.
In this book, Krosoczka tells the story of his family--starting with his grandparents, Joe & Shirley, who met and fell in love as teenagers. After his grandfather returned from WWII, during which the young Shirley had broken up with him, he came back to Worcester, MA to win back her heart. They got married shortly after and started having children. Jarrett’s mother, Leslie, was the second child in a family of five kids. The same year Leslie was born, Joe opened a factory that was fairly successful throughout his life, and spent most of his time working. Shirley, however, had experienced a personal tragedy that led her to start drinking heavily. This was the beginning of a tumultuous mother/daughter relationship between Shirl & Leslie.
When Leslie was 13, she began to act out. She started sneaking out, drinking, doing drugs, and getting into fights at school. Eventually, Leslie came home to say that she was pregnant. This did not help the volatile relationship she had with her mother but she did manage to stay clean while she was pregnant. After Jarrett was born, Joe bought Leslie a little home to make their own and they lived relatively happily there until Jarrett was a few years old. Leslie made a series of bad decisions and eventually went to jail. While there, Jarrett went to live with his grandparents and Joe set things up so that he, legally, had custody of him.
Ultimately, Jarrett was better off living with his grandparents than with Leslie. They were supportive of his art, encouraging him to make friends at school, and wanted to be involved in his life. However, they both drank heavily and fought constantly. It wasn’t the most stable upbringing, especially when you add in the infrequent visits and letters from his mother. After Leslie got out of jail, she spent time in halfway houses trying to get her life back on track. Jarrett always hoped, as a young kid, that he would be able to live with his mother again. It wasn’t even until he was in 3rd grade that he learned his mother was in jail and the knowledge haunted him. His hope to be reunited with his mother diminished as he aged until, eventually, he was a bitter, angry teenager.
During this time, he also began wondering about his father, who he’d never met and who’d never sought him out despite knowing that he had a child. As a teenager, he discovered his father’s last name and couldn’t shake the thoughts of him and what knowing his father would mean for his identity. So, when he got a letter from him one day, he was surprised but still not ready to get to know him yet.
Throughout middle and high school, Jarrett kept sketchbooks to draw in everywhere he went. He took art classes and began to get involved in the school newspaper as an illustrator for their comic section. Through art, he was able to explore the emotions he was feeling and express the pain he was feeling in a way that didn’t hurt him or anyone else. The drawings from this period of his life are quite dark and you can tell he was struggling with a lot.
There’s more to the story but I’ve gotten to the part where I feel like I’m going to give something integral away so I’ll stop my summary here. You’ll have to grab a copy to find out what happened to teenage Jarrett.
Reading this book was difficult but satisfying for me. Krosoczka writes with a openness and honesty about his troubled upbringing that I found both refreshing and reassuring. He also added a lot of special, personal touches to the book that made reading it especially moving. For example, each of the chapter title pages has the pattern of the wallpaper that was on the walls of the house he grew up in. He saved a roll of it to use in this book. He also added in actual art that he made as a child. All the artwork you see in the book that he says was drawn by him, was actually drawn by him when he was young and then superimposed into the book later. The letters from his mother are also real letters that she wrote to him. It was a very nice touch to this personal, painful memoir.
For my part, I didn’t grow up in a traditional nuclear family so seeing a representation of a loving family that maybe wasn’t quite like the families I saw in movies & tv shows was comforting. I also have experience dealing with family members struggling with addiction. Krosoczka’s memoir does an excellent job excavating the pain and anger that boil up in situations like this without feeling like he’s dramatizing for the sake of the story. Stories of addiction often have enough drama without needing any embellishment. Ultimately, the book felt real and raw and accessible in a way that I haven’t seen in a graphic memoir for a while. Comparatively though, it reminded me of Alison Bechdel’s Fun Home: A Family Tragicomic.
Because this book was made for young adults (recommended ages 12-14), I feel that the topic is especially important. During a time when opioids are so widely available and so many people are addicted to them that the media calls it a crisis, there are many young adults who will find this book and be reassured by it’s honesty and it’s message.
I talk a lot about the importance of representation and there are lots of obvious ways that we can improve representation in literature. For example, it’s my priority to highlight books by marginalized authors or with marginalized characters both in my store and on our social media. However, I do think there are groups of marginalized people whose stories are often overlooked. The stories of those families fighting drug or alcohol addiction, and the children caught in the crossfire, are on that list. Often, addiction is a dark family secret. It’s not something you talk about outside of the family and certainly isn’t a story you share with the rest of the world, particularly in literature for young people. So, the importance of this work at this particular time in history is a bit elevated. We need these stories, not just for the sake of representation but also because the message we learn from Krosoczka is extremely valuable.
What is that message, then? The message is not particularly unique or surprising but it is one that I think we need to hear. Art saves. Art saves people. Art saves lives. Art saves families. Art saves angry kids from going to jail. Art saves. Art saved Jarrett from repeating the mistakes of his mother. Art saved Jarrett from the demons that plagued him. Art saved Jarrett from a life of doing something he didn’t love. Art saved Jarrett from the bitterness that threatened to eat him up as a teenager. Without art and a family who supported that art, we wouldn’t have the Jarrett Krosoczka we know and love today.
So, if you know a kid who’s struggling with their own demons or someone else’s, I highly recommend this book to them. If you know someone who is a parent and an addict, I also recommend this to them. It paints a vivid picture of the pain that a parent’s addiction caused one boy. If that message can help one person recognize the suffering they’re causing, then this book is more than worth the cost to purchase it. If the message that art saves can be imparted onto at least one young soul, then I think we’re on our way to making the world a better place.
You can pick up a copy of Hey, Kiddo by Jarrett Krosoczka at Foggy Pine Books on Tuesday, October 9th. You can also pre-order the ebook from us online and have it downloaded to your device that day.
I'm a huge fan of Katie O'Neill and loved her previous books: The Tea Dragon Society and Princess Princess Ever After, so I was excited to have the opportunity to read her upcoming book.
Aquicorn Cove is the story of a small fishing village and the people who live there, who love their way of life. A young girl, Lana, comes back to visit with her Auntie Mae after a terrible storm does a lot of damage in the village. While helping her family and friends clean up, she finds a seahorse looking animal (an aquicorn!) that needs help and rescues it to let it recover before returning it to the ocean. We learn that Lana's situation is complicated and that there's a lot of emotion to process while she's visiting her Auntie. When Lana asks her Auntie about the creature she rescued, Mae tells her the story of meeting a beautiful Aquicorn queen, Aure. She tells her how she helped their family and the message she gave her about the destruction of the ocean and coral reefs. This caused a huge rift between Aure and Mae. When another big storm threatens the island and Auntie Mae, Lana seeks help from the Aquicorns to keep both the village and her Aunt safe. When Lana is taken on her own undersea adventure, she discovers how much damage humans are doing to the ocean and to the coral reef. What can Lana do to help the Aquicorns and her Auntie's village? You'll have to read the story to find out!
This book is a heart-warming and thoughtful story about the power of family and how, if we all care just a little bit, we can each make a big difference in the world. I couldn't imagine a better follow up to Katie O'Neill's previous books. I highly recommend for anyone who enjoys sweet, adorable stories with gorgeous artwork and a moral to think about at the end.
🌟🌟🌟🌟🌟-- Mary gives this book 5 out of 5 stars!
Aquicorn Cove comes out on October 16th but you can pre-order it here at Foggy Pine Books or pick it up here on release day!
I really enjoyed Brenna Thummler's first original graphic novel, Sheets, a middle grade/early young adult story about a lonely girl trying to keep her family's failing laundry business alive and the ghost boy who helps her. She illustrated the recently published graphic novel adaptation of Anne of Green Gables and I absolutely adored the art work, so I was excited to check out her original story.
Marjorie is a 13 year old girl who is going through a very difficult time. Her mother recently drowned in a tragic accident and her father has fallen into a deep grief that even the care of his children cannot seem to shake. Marjorie spends all her time after school working at her family business, a laundry service, and taking care of her 5 year old brother. The story is sweet and heart-warming while also touching on some deep and dark subject matter. Watching Marjorie deal with all her family struggles and trying to keep the family business running after her mother's death was difficult, especially because I felt frustrated with her dad's behavior. There's another character who is trying to sabotage her business in an effort to get the property for himself. Enter Wendell, a young, lonely ghost, who ends up making quite a mess of things for Marjorie on accident. When he realizes what he's done, he decides to help her and goes back to the Ghost World to ask for support. After this, the story becomes so much more hopeful. A small friendship between a ghost and a girl can change things for the better.
I love how accurately working in a service industry role is depicted, as well as grief and loneliness. Thummler takes dark elements of a very human story, mixes in a little supernatural fun, and illustrates it with a Wes Anderson-esque color palette. A quick read and something I'd recommend for readers of Raina Telgemier who want something similar for older kids.
🌟🌟🌟🌟 -- Mary gives this book 4 out of 5 stars
Sheets comes out August 28, 2018! You can pre-order with Foggy Pine Books or come pick it up on release day!
Review by Yelisa Leiva, bookseller at Foggy Pine Books
“But long ago when the people were given these ceremonies, the changing began . . .but only this growth keeps the ceremonies strong. She taught me this above all else: things which don't grow are dead things . . .”
Centering on Tayo, a Native American soldier returning home from the shattering horror of World War II, Ceremony unveils the persistent reality of dual identity in modern America, implementing mental health as another prevalent but disregarded truth, a conduit for layered conversation. The novel begins with Tayo returning to the Laguna Pueblo reservation, where his family and friends live. Revealing severe symptoms of PTSD, Tayo must return to his roots to recover from not only the war he had fought in, but the war within himself for being half-Native American and half-Mexican, a corporeal reminder of racial betrayal and perceived retrogression in his community.
While colonialism is a pressing matter in the novel, the Native American characters view white assimilation as something that they should esteem to be, exhibiting the despondent, embedded indoctrination. Auntie, Tayo’s Christian grandmother, resents Tayo for his ethnic identity although she willingly raises him, but praises her own son Rocky for preferring science that was introduced by white teachers over Laguna narratives. Rocky is later killed in the war, adding to Tayo’s guilt and internal turmoil. Silko takes the issue of colonialism and parallels this confusion to Tayo’s broken mind. She beautifully interweaves the personal and socio-political issues through Tayo’s journey of cultural ceremonies and visuals within the pages themselves, such as purposeful large, blank spaces between Tayo’s memories and interjecting poetry and tales that are pertinent to the Laguna culture.
The ceremony becomes integral to Tayo’s recovery. Betonie, an old medicine man, organizes the ceremony for Tayo, telling him of the necessary change he must find within himself and America. The ceremony involves him digging through his past and recognizing fear as the reason for the conflict within himself and his community. As the novel delves further into Tayo’s spiritual journey, his reality emulates those of his ancestors stories, including characters like the Night Swan, a Mexican woman with hazel eyes and mystical powers, The Hunter, who transforms into a mountain lion and rescues Tayo twice, and the instance where Tayo curses the rain which inevitably results in a detrimental drought.
Although towards the end you wonder whether the entire novel was Tayo’s hallucination due to his PTSD, Silko does not create this question to harm the portrayal of those with mental illness, but does it to emphasize its severity; while Tayo’s fragmented reality is heavily illustrated, their is no harshness to this illustration, but rather presents gentle brushstrokes that request empathy and enlightenment on the issue.
If you like this novel, I recommend reading Whereas by Layli Long Soldier, The Sympathizer by Viet Thanh Nguyen, and Passing by Nella Larsen.
I started this book because the title made me giggle every time I looked at it. The summary sounded interesting and I always enjoy something that's different from what I typically read. This was definitely a departure for me but one that I'm thoroughly pleased I decided to make.
I expected something funny and light-hearted which is, mostly, what I received. However, I was surprised that, from the beginning, there was a vein of insidiousness winding it's way through the story. Though the title and the subject matter lead you toward something fun and exciting, there was more to this book than I was anticipating.
We begin our story by meeting Nikki, a young British & Punjabi woman living in London. Her relationship with her family is strained after she drops out of law school and moves out of her mother's apartment, something young women in her community are not expected to do until marriage. Despite that, she and her sister still talk often. Nikki feels aimless after leaving college and has been working at a pub. When posting a marriage flyer at a temple for her sister (who is seeking an arranged marriage), she sees an advertisement for a job at the local community center, teaching Punjabi women how to write stories. Nikki applies and interviews for the job so is very pleased to be hired, despite her lack of experience. However, when the time comes to teach the class, she realizes that the Punjabi widows who have come to learn how to write stories also need to learn how to write. Feeling frustrated, she thinks about quitting but wants the experience to include on her CV.
During one class, she comes into the room to find that one of the younger women is reading aloud from the erotica book Nikki had purchased for her sister as a joke. Embarrassed, she explains why she has the book and tries to bring the class back on track. The widows, however, have another idea. Their husbands have died and they are lonely. They miss intimacy and sex. To Nikki's horror, the women start sharing erotic stories with one another. Some are stories about their own lives, some are from their imaginations, and some are ideas gleaned from the late night soft-core movies they've discovered on cable. Despite her original discomfort at hearing these otherwise conservative women discuss their passions, Nikki begins to realize that sharing these stories is good for the women. It makes them feel strong and makes them willing to seek the passion they so desire in their own lives. The stories start to spread around the community and more women begin to seek out Nikki's class.
Not everyone is happy that the widows are opening up and learning more about themselves though. A group of ultra-conservative young men in the community with no jobs and nothing better to do have started harassing women and men who are not behaving as traditionally as The Brothers believe a respectable person should. Women who are out too late, enjoying time with friends in mixed gender groups, or who aren't covering their head have been assaulted and attacked. In addition to the fear mongering by The Brothers, the widow of a community religious figure is blackmailing people in exchange for "prayers" concerning the immoral or unfavorable behaviors being held against them.
As the story progresses, we begin to see exactly what kind of threat the women's classes are to the traditionally conservative community in which they live. The women are beginning to stand up for themselves, to fight back against the injustices wrought by The Brothers. The men in the community are confused and worried. They have typically never had to worry about things like this from the elder women in the community; only the younger, more British, girls give them problems regarding authority, sexuality, and education. When Nikki begins to unravel community secrets about the death of her boss' daughter, she draws the attention of The Brothers. The concern about the women's classes burns into hate and fear.
Interwoven between the erotic stories the widows tell and the mystery of what happened to her boss' daughter is Nikki's love story. She meets a man, at the temple of all unlikely places, and is swiftly falling for him. They are incredibly happy together and Nikki is coming to terms with loving someone of whom her family would actually approve. However, Jason starts to act sketchy, taking quiet, argumentative phone calls before leaving briskly. This happens several times before he leaves and doesn't return for weeks. When he does, Nikki must decide if she wants to listen to what he has to say or if his bailing is something she can't forgive.
The story ends in a way that was entirely unexpected though the author did sprinkle clues about it throughout the story. I was just too absorbed to try to put together a mystery ending. We reach a satisfying conclusion for every thread of the story and I finished the book feeling entirely pleased.
While being funny and enticing and entirely engaging, this book was also a social critique about the way women are treated in the Punjabi community and how immigrants are treated in the United Kingdom. The book mostly takes place in the largely Indian community of Southall, London and most of it's characters are Punjabi Indians and immigrants (or from a family of immigrants). I learned a lot about their culture through this book. Tradition and community are extremely important to the characters we meet. Arranged marriages are still fairly common, though much different than our stereotypical idea of what that means. Women are expected to serve in their in-laws homes after marriage, some are pressured to give up their jobs entirely. Men and women still wear traditional dress and speak Punjabi in their homes. Because of these things, they have been made to feel unwelcome or uncomfortable in London as a whole. Their community is tight knit and the gossip can be insidious. Your standing in the community is a very important aspect of an individual's social status. By the end of the book, the author makes it clear that while they support the idea of community and cultural tradition, they do not support the oppressive forces that are often inextricably tied to religion. Especially those traditional aspects of religion that force women to serve men and put their own needs, desires, and passions at the back of the line in support of their husband, father, brother, or son.
I highly recommend this book for anyone who loved A Thousand Splendid Suns by Khaled Hosseini, The Namesake by Jhumpa Lahiri, or Fifty Shades of Grey by E.L. James.
In Red Clocks, Zumas paints the picture of a not-so-unimaginable future in which the U.S. has banned abortions. After the election of an ultra-conservative president, women of the United States find themselves in dire straits. Abortion is now punishable with prison time, as well as in vitro fertilization and adoption by any "nontraditional" couples or individuals--meaning LGBTQIA+, single person, and non-Christian families. The story follows several different women as the author explores how this new legislation has impacted their lives:
--a young girl just learning to navigate her sexuality
--the single teacher at her school who desperately wants a baby but can't conceive or adop
--the local healer, a woman considered a witch for her herb knowledge and pleasure in her own company
--the harried stay-at-home mom unhappy in her marriage and wishing she'd continued her law career instead
This novel is an exploration of harmful legislation and how the people impacted by it must navigate their lives in new and uncomfortable ways. It's also a warning that the freedoms are cherish can be eroded at slowly until, with a single election, they no longer exist. I thoroughly enjoyed this book and absolutely could not stop listening to it. The audiobook was extremely well done and I enjoyed the reader's voice and reading pattern. Read if you loved The Handmaid's Tale or The Power.
You may purchase copies of this book at the bookstore or you can click the links below to order them from us online in different formats.
Let me be clear: I love short story collections. When done well, short stories can hold great literary (and personal) value to me. Most collections have a few stories that aren't on par with the rest and one or two stellar stories. Difficult Women is not like this. Each story feels real, often magical, but always tangible. Some are allegories, some are simply insightful, while others are brimming with emotion--and they are all excellent.
It is ovbious that Gay is using the female experience as her focuse of this collection--something that she has successfully drawn upon in the past with her essay collection, Bad Feminist. Her stories explore self-realization, sexuality, hope, relationships in romantic and familial states, birth, and death. They're full of both mundane moments and magical ones. Her characters are unflinchingly real. They are flawed, have desires, shames, secrets, and one's father-in-law destroyed the sun and plunged the earth into a darkness that matched his heart. One woman is even perpetually followed by a rain cloud.
In short, they're difficult women. Their emotions and actions don't operate within societal standards. In Hollywood, we see these women as witches, whores, and failed mothers. We see them as drug addicts, mistresses, and screeching soccer moms. Gay turns that trope on its head and explores women, in all their unique beauty and dysfunctionality, as individual persons worthy of exposition. And she executes this skillfully. Her words flow off the page while each story leaves you craving for the next one.
My favorites were: "I Am A Knife", "The Sacrifice of Darkness", "Baby Arm", and "Open Marriage".
Read if you loved: Bad Feminist & An Untamed State (both by Gay), A Guide to Being Born by Ramona Ausubel, and The Thing Around Your Neck by Chimamanda Ngozi Adichie.
I give this book 5 out of 5 stars!
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This is one of the most captivating books I've read in a while. I started it within a few days of receiving it and had finished it within a few more. If you understand how many books I read at once (seven, right now) you might then understand that this was a remarkable change from my typical pace. It can take me months to read a book, especially if it's dense or requires research but, the right novel will make me plow heedlessly forward, forgetting all other novels, responsibilities, and people around me. This book was the right novel. I read before work, while eating lunch, and all evening after work. Finally, when it ended, I was so furious I didn't know what to do with myself. Once I calmed down, I realized that I loved the book. Sometimes it's hard to love something when it makes you angry.
If Southern Gothic is a fully recognizable genre, after this book, I would argue that Midwestern Gothic ought to be one as well (like this reviewer). Rich's characters are fully realized, even the ones in the background, which make it incredibly easy to get sucked into the novel. You feel like these are people that you know, or maybe have met somewhere before. You want to find out more about them and how they interact with the world. In particular, for this novel, you want them to interact with the world even more so you can get your bearings, figure out what about this specific iteration of Midwestern America isn't quite right.
Stanza is our main character, returning home to Kansas after five years away and the death of her fiance. Many things have changed and America now resembles something out of a modern Shirley Jackson story--dark, angry, and scared. Her community is covertly but deeply oppressive in almost every imaginable way. The open discussion of religion is not welcome nor, for that matter, is anything that falls outside of the conservative framework. Think Gilead from The Handmaid's Tale. It's a bleak society.
Stanza doesn't quite fit into this network of people and lives simply in a fishing cabin on her father's property. She is kept company by her dog and the ghosts of her loved ones. Once she begins to heal and starts teaching at the local college, she begins to draw attention to herself by simply being an independent woman with strong ideas. Most especially, she draws the attention of a former classmate, now her boss, who has carried a torch for her all these years. When their encounters escalate to the breaking point, the resulting storm breaks over her.
Sara Rich takes you on an emotional journey through one family's history and brings it to a stark, angry boiling point in a world that could be our own, that mimic our own in terrifying ways. Her writing is beautiful and her thoughts are precisely wrought. I devoured it and it moved me deeply.
I recommend this book for lovers of Margaret Atwood, Flannery O'Conner, Shirley Jackson, or Charles Frazier. Grab your copy at Foggy Pine for $8.99 (seriously, the best deal on a book this month).
I give this book 5 out of 5 stars!
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Michael Jasper's Finders, Inc. is a charming and thoroughly enjoyable read. Set in our very own Watauga County, the novel follows a team of detectives through their most recent case. Hank and Bim have been friends since childhood. They work with husband and wife team, Juan and Marly, to investigate a variety of cases but their specialty is missing persons. When retired Appalachian State University professors start going missing, the Finders team are the perfect choice of investigators.
Jasper does a wonderful job creating characters that you fall in love with, root for, and want to follow through the book. Bim was my favorite character but Marly is probably my second, with her husband as a close third. I found myself wishing I could find the characters walking around town and sit down with them for a chat. Plus, Jasper does such a great job integrating local businesses and land marks that it makes you feel like you're hearing a story from a friend. All the relationships are fully fledged too, though they have room for growth, something I find promising in the first of a series. The author really knows his characters and does a wonderful job bringing the little town of Boone to the page.
If you're looking for a fun fall read, something to curl up with by the fire and spend more time with than you meant to, I highly recommend this cozy mystery. Grab your copy from the store for just $16.99!
I give this book 5 out of 5 stars!
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Matt Wilven does something wonderful and much needed with his debut novel, The Blackbird Singularity; he makes mental illness approachable and real. In an age when every act of mass violence is pegged either on radical fundamentalists or "crazy" people, having and managing a mental illness is an unheard of feat. The media tend to paint those with mental illness as unmanageable members of a society they refuse to fit into, implying that mental illness has something to do with choice. In fact, depressed individuals are often looked on with pity and given patronizing, though well-meaning, advice to "just cheer up". Those that suffer from ADD or ADHD are often told they simply need to meditate and focus on one thing at a time, as if those thoughts simply hadn't occurred to the sufferer before--they just needed your advice on what to do. Particularly with behavioral disorders, like bipolar and schizophrenia, there are a great many stereotypes that abound. This novel explores a case of grief-induced bipolar disorder and gives such an honest, unflinching look into the mind of someone with bipolar that it's hard to think of "crazy" in the same way as you did before this book.
The story centers around Vince, a writer, who stops taking his medication when he finds out that his wife is pregnant. Two years previously, they lost their young son to a terrible disease. After his death, Vince went off the deep end and almost took everything in his life with him. Finally, he was hospitalized in a psych ward and prescribed lithium for grief-induced bipolar. When he learns of his wife's new pregnancy, he hopes that he can be the person that he knows is underneath all the chemicals but is truly afraid that person is lost to him forever. He forges an unexpected friendship with a blackbird as the withdrawal from his medication begins to set in. Slowly, Vince loses his grip on reality, eventually driving his wife back to the home of her judgmental parents. All Vince wants is to prove that he can be a functioning person without medication but can he really go back to "normal"? Wilven sends his reader down the same dark path, wondering if the protagonist will ever recover or if the road to redemption is a delusion. There are so many things I want to say but I'm afraid of giving away the end, which was completely and entirely unexpected. The entire book will make you laugh, worry, gasp, cry, and, finally, smile. I thought this book was beautifully written and thoroughly haunting.
Wilven masterfully directs his reader through the dark and twisty narrative to a place of lightness and hope, leaving you with a final lesson: we must all make the choice to either be who we are or be who everyone else wants us to be. Being who you are can be a beautiful thing.
A must read for lovers of The Silver Linings Playbook by Matthew Quick, Madness by Marya Hornbacher or anything by Haruki Murakami (so much magical realism...)
I give it 5 out of 5 stars!
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Note: This book comes out in paperback November 1, 2016 & will be available at Foggy Pine Books.
Mary Ruthless: Owner & Ruthless Reader